Perfect Beat
The Pacific Journal of Research into Contemporary Music and Popular Culture
(ISSN: 1038-2909)

Volume 6, Number 4, 2004

Contents
  • Reggae Borderzones, Reggae Graveyards – Bob Marley Fandom in Bali
    Emma Baulch
  • Pub Rock and the Ballad Tradition in Australian Popular Music
    Jon Stratton
  • Pasifik/NZ Frontiers – New Zealand-Samoan Hip Hop, Music Video, and Diasporic Space
    Sarina Pearson
  • The 2001 National Folk Festival as an Aboriginal Reconciliation Site – New Moves and Live Performances
    Jill Stubington

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Publication Reviews

Australian Broadcasting Corporation (2001) Long Way to the Top: Stories of Australian and New Zealand Rock ‘n’ Roll, Sydney: Australian Broadcasting Corporation (six part video series)
HELEN CARTER

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Bennett, A and Dawe, K (eds) (2001) Guitar Cultures, Oxford/New York: Berg
JON FITZGERALD

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Bob Blunt (2001) Blunt: A Biased History of Australian Rock, Sydney: Prowling Tiger Press
SHANE HOMAN

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Pini, M (2001) Club Cultures and Female Subjectivity: The Move from Home to House, Basingstoke and New York: Palgrave
SUSAN LUCKMAN

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Neal, M (2002) Soul Babies: Black Popular Culture and the Post-Soul Aesthetic, New York and London: Routledge
IAN MAXWELL

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Toynbee, J (2000) Making Popular Music: Musicians, Creativity and Institutions, London: Arnold
PHILLIP McINTYRE

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Krims, A (2000) Rap Music and the Poetics of Identity, Cambridge and London: Cambridge University Press
TONY MITCHELL

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Mitsui, T and Hosokawa, S (eds) (2001) Karaoke around the World: Global Technology, Local Singing, 2nd Edition, London and New York: Routledge
J. LAWRENCE WITZLEBEN

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Perfect Beat is published by the Department of Contemporary Music Studies at Macquarie University, Sydney, Australia.