Perfect Beat
The Pacific Journal of Research into Contemporary Music and Popular Culture
(ISSN: 1038-2909)

Volume 6, Number 2 & 3, 2003 - special issue

Contents
  • Off The Planet: Music, Sound and Science Fiction Cinema
    Edited by Philip Hayward
  • Sci Fidelity - Music, Sound and Genre History
    Philip Hayward
  • Hooked on Aetherophonics: The Day The Earth Stood Still|
    Rebecca Leydon
  • Atomic Overtones and Primitive Undertones: Akira Ifukube's Sound Design for Godzilla
    Shuhei Hosokawa
  • Forbidden Planet: Effects and Affects in the Electro Avant Garde
    Rebecca Leydon
  • The Transmolecularisation of [Black] Folk: Space is Place, Sun Ra and Afrofuturism
    Nabeel Zuberi
  • Nostalgia, Masculinist Discourse, and Authoritarianism in John Williams' Scores for Star Wars and Close Encounters of the Third Kind
    Neil Lerner
  • Sound, Music and the Mad Max trilogy
    Rebecca Coyle
  • "These are my nightmares": Music and Sound in the films of David Cronenberg
    Paul Théberge
  • Ambient Soundscapes in Blade Runner
    Michael Hannan and Melissa Carey
  • 'I'll be back': Recurrent sonic motifs in James Cameron's Terminator films
    Karen Collins
  • Inter-Planetary Soundclash: Music, Technology and Territorialisation in Mars Attacks!
    Philip Hayward
  • Mapping The Matrix: Virtual Spatiality and the realm of the perceptual
    Mark Evans


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Perfect Beat is published by the Department of Contemporary Music Studies at Macquarie University, Sydney, Australia.