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Philip Hayward is professor and co-ordinator of the department's research program. He is an internationally acknowledged researcher and author on contemporary and Pacific Musics. He is the network convenor of SICRI- The Small Island Cultures Research Initiative.
He has written and edited twelve books, including Music at The Borders (1998) - an analysis of the decade long collaboration between the Australian band Not Drowning, Waving and musicians from Papua New Guinea; Widening the Horizon: Exoticism in Post-War Popular Music (1999) - a study of post-War musical exoticists such as Arthur Lyman, Martin Denny and Van Dyke Parks; Tide Lines (2001) - a history of music, tourism and cultural transition in the Whitsunday Archipelago; Hearing The Call - a discussion of music and social history on Lord Howe Island (2002) and Off The Planet (2004) - an anthology of writing on music and science fiction cinema. Current research projects involve writing a music history of Norfolk and Pitcairn Islands, due to be published in 2005 under the title Bounty Chords .
Summary CV
Research Interests
Island cultures; Island musics; screen soundtrack studies
Principal Publications
Hayward , P (ed) Culture Technology and Creativity - in the Late Twentieth Century, London: John Libbey Press/Arts Council of Great Britain (1991) - 248 pages
Hayward , P (ed) From Pop, to Punk, to Postmodernism - Australian Popular Music and Culture From the 1960s to the1990s, Sydney: Allen and Unwin (1992) - 188 pages
Hayward , P Music at the Borders - Not Drowning, Waving and their engagement with Papua New Guinean music 1986-96, Sydney: John Libbey & Co. (1998) - 216 pages
Hayward , P (ed) Sound Alliances - Indigenous Peoples, Cultural Politics and Popular Music in the Pacific, London and New York: Cassell (1998) - 220 pages
Hayward , P Tide Lines: Music, Tourism and Cultural Transition in the Whitsunday Islands, Lismore: Music Archive for The Pacific Press (2001) - 212 pages
Hayward , P (ed) Outback and Urban: Australian Country Music Volume One, Gympie: Australian Institute of Country Music Press (2003) – 224 pages
Hayward , P (ed) Off The Planet: Music, Sound and Science Fiction Cinema, Paris: John Libbey and Co/Perfect Beat Publications (2004) – 214 pages
Hayward , P Bounty Chords: Music, Culture and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh (UK): John Libbey and Co (2006) – 248 pages
External Grants
1999: Kansai University ( Osaka, Japan), fully funded visiting researcher at Kansai University, Osaka, to research on Wakayaman cultural histories on Thursday Island - $18,850
2003 : Tokyo Metropolitan authority funded Ogasawara Studies Group ( Japan) grant for research travel to Ogasawara - $2,100
2005 : International Council for Canadian Studies, research grant for travel assistance and research expenses for ‘Postcolonial distances’ music research event held at Memorial University, St Johns, Newfoundland - $10,050
2005 : Australian Academy of the Humanities, publication support grant for publication of Bounty Chords (2005) - $2,500
2005 : Australian Research Council Discovery Grant for research on the Melanesian music industries (co-awarded with Dr Denis Crowdy) - $235,000
Submitted and under review - 2005: Japan Foundation, conference event organisation application for ‘ Asia-Pacific Islands in transition’ event planned for University of Hong Kong in late 2006 - $23,500
In preparation for 2006 submission:
Canada Research Council international networking grant for ‘Global Cultures of Whaling’ project initiation, with Okanogan College, University of British Columbia - $16,500
ARC Discovery Grant for research on Australian Feature Film Music (co-applicant with research staff from Southern Cross University) - $294,000
Thesis Areas Supervised
a. Supervised to completion:
Australian youth music subcultures – MA (Research), 1999
The conceptual work of Deleuze and Guattari – PhD, 2001
Live music and regulation in New South Wales – PhD, 2002
Piano pedagogy in contemporary China – MA (Research) 2002
Fourth Wave Chinese Cinema – Phd, 2002
Recorded popular music in the pre-stereo era – PhD, 2003
Australian small presses and comics – PhD, 2003
Contemporary trance music – MA (Research), 2004
Internet activism – PhD, 2004
‘The West Wing’ and US politics – PhD, 2004
Australian popular songwriting – PhD, 2004
The Australian ‘Cash for Comment’ radio issue – MA (Hons), 2004
Contemporary Christian congregational music – PhD, 2004
The brass band movement in New South Wales – MA (Hons), 2005
Papua New Guinean syncretic ensemble Sanguma – PhD, 2005
Music history of Rapa Nui – PhD, 2005
Music culture of the Palga people of Papua New Guinea – MA (Research), 2004
Sri Lankan baila music – PhD, 2006
b. Supervision in progress:
Australian popular music industry management - (sched. completion 2006)
Sydney ’s commercial dance party scene - (sched. completion 2006)
A history of Bushells’ tea in Australia – PhD (sched. completion 2007)
Participatory video in Fiji – PhD (sched. completion 2007)
Autechre’s composition methods – MA (Research) (sched. completion 2007)
Contemporary Fijian song – PhD (sched. completion 2008)
Jim Raney’s jazz guitar style – PhD (sched. completion 2008)
Garamut music in Manus, Papua New Guinea – PhD (sched. completion 2008)
Orientalist musical theatre – PhD (sched. completion 2007)
Goth music in 1980s Britain – PhD (sched. completion 2008)
The work of Australian composer Isaac Nathan - (sched. completion 2011)
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Current Teaching
Honours
2008
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Downloadable Articles
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